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In Episode 20 we conclude our three-part retrospecti...
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Aug 28 2018 1h 30m
Chapter 1 3 mins
Arnold, David ArnoldChapter 2 4 mins
Tomorrow Never Plays the FanfareChapter 3 1 min
The fanboy composer?Chapter 4 6 mins
Surrender’s presence in the scoreChapter 5 4 mins
Arnold’s neo-Barry romance writingChapter 6 4 mins
The World Is Sort Of EnoughChapter 7 5 mins
Arnold’s muscular action writing the submarine escapeChapter 8 6 mins
Score Another Way (electronically) in Die Another DayChapter 9 4 mins
Bond joins the choirChapter 10 5 mins
Blond, James BlondChapter 11 3 mins
Parkour percussionChapter 12 5 mins
You Know My Chord ProgressionChapter 13 2 mins
Vesper’s ThemeChapter 14 3 mins
Quantum of SolaceChapter 15 2 mins
Watery woodwinds at the operaChapter 16 3 mins
DC3s, tempo, chromaticism, and the peak of Arnold’s action musicChapter 17 1 min
Thomas Newman, Bond’s new manChapter 18 4 mins
M’s retiring brass statementsChapter 19 2 mins
Bond on a boatChapter 20 6 mins
Severine and Newman’s romantic stringsChapter 21 3 mins
A Spectre haunts 007Chapter 22 1 min
The Writing’s On The TrainChapter 23
At the end: our favourite score, and our favourite song