Art of the Score
Episode 17: Gladiator
In the year 2000, the sword-and-sandal epic was revi...
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Jun 4 2018 1h 30m
Chapter 1 2 mins
Gladiator as the breakthrough Hans Zimmer scoreChapter 2 9 mins
Some background on the significance of Gladiator, sword and sandal films, epics, and peplumChapter 3 6 mins
Hans Zimmer style and the 1990s action filmChapter 4 2 mins
Hans Zimmer and the synthChapter 5 1 min
The unusual instrumentation of GladiatorChapter 6 1 min
A duduk demonstrationChapter 7 6 mins
The themes of Gladiator Commodus’ themeChapter 8 6 mins
The power of Lisa Gerrard’s voiceChapter 9 3 mins
Maximus’ hymnChapter 10 2 mins
Maximus’ polyrhythmsChapter 11 2 mins
Zimmer’s Vangelis’ momentChapter 12 5 mins
Once Upon a Time in Ancient RomeChapter 13 7 mins
The Earth theme Gladiator’s musical soulChapter 14 4 mins
Lucilla’s themeChapter 15 2 mins
The Gladiator waltzChapter 16 4 mins
A Holst heist?Chapter 17 4 mins
Gladiatorial piracyChapter 18 4 mins
The death of an emperor (or, Mozart’s Da Vinci Code)Chapter 19 2 mins
To ZuccabarChapter 20 5 mins
Gladiator’s establishing music (and a surprise)Chapter 21 2 mins
Zimmer’s answering hornsChapter 22 7 mins
The Might of WagnerChapter 23 2 mins
The Hans Zimmer OlympicsChapter 24
Gladiator’s finale: Now We Are Free