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Go Creative Show

Go Creative Show

119 Episodes • By Ben Consoli • www.gocreativeshow.com
Go Creative Show is a place for revealing and informative interviews with A-list filmmakers. Hosted by Producer and Director Ben Consoli, each week we feature cinematographers, production designers, directors and producers to share behind the scenes experiences from the hottest movies and shows. Whe ...more
TV & Film Film Interviews
Go Creative Show
Go Creative Show
@gocreativeshow
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Winning Time Season 2 Cinematography (with Todd Banhazl, Ricardo Diaz, and John Matysiak) GCS330
WINNING TIME season 2 director and cinematographer ... more
Sep 21 2023 59m
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Gran Turismo Cinematography (with Jacques Jouffret) GCS329
GRAN TURISMO director of photography Jacques Jouffre... more
Sep 6 2023 51m
Chapter 1 13 mins
Creating Speed in Grand Tourismo
Chapter 2 8 mins
Cinematography Challenges in Race Car Film
Chapter 3 10 mins
Filming Gran Turismo With Sony Venice
Chapter 4 6 mins
Realism in Gran Turismo Film
Chapter 5 11 mins
Making a Real and Respectful Crash Scene
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The Righteous Gemstones Cinematography (with Paul Daley) GCS328
THE RIGHTEOUS GEMSTONES director of photography Paul... more
Aug 24 2023 48m
Chapter 1 5 mins
Shooting the Locust scene practically
Chapter 2 8 mins
Visual approach to season 3
Chapter 3 3 mins
Using both Signature and Supreme lenses
Chapter 4 4 mins
Camera movement and lighting
Chapter 5 3 mins
Approach to night exteriors
Chapter 6 7 mins
Practical locations vs sets
Chapter 7 4 mins
Filming the racecar and monster truck scenes
Chapter 8 7 mins
Paul's favorite scene in season 3
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The Little Mermaid Cinematography (with Deon Beebe ACS ASC) GCS327
Disney's live-action adaptation of THE LITTLE MERMAI... more
May 26 2023 58m
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Beau is Afraid Cinematography (with Pawel Pogorzelski) GCS326
Cinematographer Pawel Pogorzelski returns to Go Crea... more
May 11 2023 53m
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Elvis Cinematography (with Mandy Walker, ASC, ACS) GCS325
ELVIS director of photography Mandy Walker, ASC, ACS... more
Feb 21 2023 48m
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Devotion Cinematography (with Erik Messerschmidt, ASC) GCS324
DEVOTION director of photography Erik Messerschmidt,... more
Feb 2 2023 57m
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Glass Onion: A Knives Out Mystery Cinematography (with Steve Yedlin ASC) GCS323
GLASS ONION: A KNIVES OUT MYSTERY director of photog... more
Jan 16 2023 59m
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The White Lotus Season 2 Cinematography (with Xavier Grobet ASC AMC) GCS322
THE WHITE LOTUS season 2 director of photography Xav... more
Jan 4 2023 47m
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Avatar: The Way of Water Cinematography (with Russell Carpenter ASC) GCS321
AVATAR: THE WAY OF WATER director of photographer Ru... more
Dec 21 2022 1h 5m
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Wakanda Forever Cinematography (with Autumn Durald Arkapaw ASC) GCS320
BLACK PANTHER: WAKANDA FOREVER director of photograp... more
Nov 29 2022 57m
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The Bear Cinematography (with Andrew Wehde) GCS319
THE BEAR is a masterclass in creating visual chaos a... more
Nov 15 2022 58m
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Dahmer Cinematography (with Jason McCormick) GCS318
Cinematographer Jason McCormick breaks down his cine... more
Oct 26 2022 50m
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The Northman Behind the Scenes (with Robert Eggers and Jarin Blaschke) GCS317
Director Robert Eggers and cinematographer Jarin Bla... more
Aug 2 2022 59m
Chapter 1 4 mins
How Robert and Jarin's careers have progressed since THE WITCH
Chapter 2 6 mins
Why there's lots of camera movement
Chapter 3 4 mins
Can historical accuracy hinder a project?
Chapter 4 4 mins
Challenges of the firey raid sequence
Chapter 5 2 mins
How to expose for low light scenes
Chapter 6 8 mins
Working through complex setups on set
Chapter 7 2 mins
Why larger crews can be more frustrating
Chapter 8 5 mins
How a "clean" look was achieved
Chapter 9 7 mins
Different ways of approaching night scenes
Chapter 10 4 mins
Working with actors in the raw elements outdoors
Chapter 11 1 min
Filming with smoke and fire on set
Chapter 12 3 mins
Different ways of incorporating visual effects
Chapter 13 3 mins
Biggest lessons learned filming THE NORTHMAN
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Everything Everywhere All At Once Cinematography (with Larkin Seiple) GCS316
EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, m... more
Jul 19 2022 56m
Chapter 1 7 mins
Making sense of EVERYTHING EVERYWHERE as filmmakers
Chapter 2 1 min
How to avoid overwhelming your audience
Chapter 3 3 mins
Visual approach to each universe
Chapter 4 5 mins
Why the Wong Kar Wai flashbacks were so challenging
Chapter 5 2 mins
Driving 4 hours to film the rock scene
Chapter 6 10 mins
Why so many lenses were used
Chapter 7 5 mins
Filming EVERYTHING EVERYWHERE in only 36 days
Chapter 8 7 mins
Choreographing all the fight scenes
Chapter 9 4 mins
How filming music videos translated to EVERYTHING EVERYWHERE
Chapter 10 5 mins
Shooting the multi-verse transitions
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Moon Knight and The Green Knight Cinematography (with Andrew Droz Palermo) GCS315
Marvel’s MOON KNIGHT and A24’s THE GREEN KNIGHT are ... more
Jul 5 2022 59m
Chapter 1 5 mins
Learning from other cinematographers on a series
Chapter 2 1 min
Avoiding excessive close ups
Chapter 3 4 mins
How shooting handheld can motivate editing
Chapter 4 5 mins
Why cinematographers should rehearse with actors
Chapter 5 4 mins
Setting yourself up for success filming 360° on set
Chapter 6 5 mins
What no one thinks about when filming in the desert
Chapter 7 5 mins
How to light scenes with only flashlights
Chapter 8 2 mins
Working with practical references for CGI elements
Chapter 9 4 mins
Why filming reflections is so challenging
Chapter 10 3 mins
Making someone look crazy with cinematography
Chapter 11 2 mins
Tricks to film duplicates of actors in camera
Chapter 12 3 mins
Cinematography of THE GREEN KNIGHT
Chapter 13 4 mins
Framing composition inspired by paintings
Chapter 14 5 mins
Why Arri DNA lenses were the clear choice
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Jurassic World Dominion Cinematography (with John Schwartzman ASC) GCS314
JURASSIC WORLD DOMINION brings the dinosaurs to the ... more
Jun 21 2022 1h 4m
Highlight
Chapter 1 7 mins
Filming JURASSIC WORLD DOMINION during COVID
Chapter 2 9 mins
Why DOMINION was shot on both film and digital
Chapter 3 2 mins
Benefits of filming animatronics vs CGI
Chapter 4 2 mins
Working with the original cast from JURASSIC PARK
Chapter 5 6 mins
The hustle of being a cinematographer
Chapter 6 6 mins
Creating dinosaur "witness cam" footage with iPhones
Chapter 7 5 mins
Filming Claire hiding underwater from the dinosaura
Chapter 8 3 mins
Avoiding looking at a monitor while filming
Chapter 9 6 mins
Shooting the interior of Biosyn
Chapter 10 6 mins
Filming the Biosyn Locust scene
Chapter 11 6 mins
Using custom tuned lenses
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Outer Range Cinematography (with Drew Daniels) GCS313
OUTER RANGE keeps you on the edge of your seat with... more
Jun 14 2022 47m
Highlight
Chapter 1 2 mins
How OUTER RANGE is unconventionally science fiction
Chapter 2 1 min
Collaborating with the other cinematographers
Chapter 3 3 mins
How to leave your cinematography mark
Chapter 4 5 mins
Why filming less gives cinematographers more control
Chapter 5 5 mins
Having a sense of humor with cinematography
Chapter 6 4 mins
Regretting the chosen aspect ratio
Chapter 7 4 mins
"Stealing" from Roger Deakins' lighting approach
Chapter 8 2 mins
Using practical lighting in cinematography
Chapter 9 3 mins
OUTER RANGE visual references
Chapter 10 12 mins
How camera movement perfected the rodeo scenes
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Better Call Saul Season 6 Cinematography (with Marshall Adams) GCS312
BETTER CALL SAUL cinematographer Marshall Adams shar... more
Jun 7 2022 55m
Highlight
Chapter 1 2 mins
The emotional impact of filming the end of a show
Chapter 2 3 mins
Why the opening of season 6 was shot with dance actors
Chapter 3 5 mins
How to prep and film a oner continuous shot
Chapter 4 3 mins
Embracing new filmmaking technology
Chapter 5 3 mins
Creatively using smaller camera packages
Chapter 6 3 mins
Why the Alexa mini LF is the best choice
Chapter 7 5 mins
Complexities of filming an ant
Chapter 8 5 mins
Visual evolution of Better Call Saul
Chapter 9 5 mins
Capturing the breath-taking sweeping desert vistas
Chapter 10 2 mins
Visually communicating the journey of Saul
Chapter 11 3 mins
How BETTER CALL SAUL pays homage to filmmaking industry
Chapter 12 7 mins
How filming in the desert impacts film production
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Candy Cinematography (with Simon Dennis BSC) GCS311
Learn how cinematographer Simon Dennis BSC created a... more
May 24 2022 1h 2m
Highlight
Chapter 1 2 mins
aspect ratio, the challenges of working with child actors, how to make multi-camera look like single camera, and much more!
Chapter 2 2 mins
How color and saturation represents plot
Chapter 3 3 mins
Aspect Ratio
Chapter 4 4 mins
Being influenced by Nepolioan Dynamite
Chapter 5 3 mins
Recreating the 1980s through cinematoraphy
Chapter 6 2 mins
Shooting with limited daylight hours
Chapter 7 3 mins
Why the 1.66 aspect ratio is important
Chapter 8 6 mins
Simion's approach to shooting wideshots
Chapter 9 5 mins
Creating a "vinyl" look with detuned lenses
Chapter 10 4 mins
Approach to lighting CANDY
Chapter 11 9 mins
Working with actor Justin Timberlake
Chapter 12 12 mins
Deconstructing the court room scenes
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Pachinko Cinematography (with Florian Hoffmeister BSC) GCS310
PACHINKO cinematographer Florian Hoffmeister BSC sh... more
May 3 2022 58m
Chapter 1 1 min
What PACHINKO accomplishes as a story
Chapter 2 2 mins
Portraying the changing time periods
Chapter 3 4 mins
How to use space effectively in cinematography
Chapter 4 7 mins
Challenges of not knowing the language or culture
Chapter 5 7 mins
When to say no to a project
Chapter 6 5 mins
The visual approach to PACHINKO
Chapter 7 5 mins
Florian's approach to filming exteriors
Chapter 8 6 mins
The crazy logistics of using a camera crane on the water
Chapter 9 5 mins
Shooting episode 7 with a different aspect ratio
Chapter 10 4 mins
Breaking down the earthquake scenes
Chapter 11 6 mins
Lessons learned filming PACHINKO
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The Last Days of Ptolemy Grey Cinematography (with Shawn Peters) GCS309
Learn the masterful way that cinematographer Shawn P... more
Apr 26 2022 1h 7m
Chapter 1 2 mins
Working on an Oscar-winning project
Chapter 2 7 mins
Incorporating archive footage into a project
Chapter 3 1 min
Did Will Smith's slap take away from winning an Oscar?
Chapter 4 5 mins
Establishing an evolving look to the series
Chapter 5 10 mins
Using broken glass to create unique in-camera effects
Chapter 6 11 mins
Portraying character development through different lenses
Chapter 7 8 mins
How to do a perfect day for night
Chapter 8 6 mins
Creating realistic moonlight
Chapter 9 11 mins
Lighting and filming realistic fire scenes
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The Dropout Cinematography (with Michelle Lawler) GCS308
THE DROPOUT cinematographer, Michelle Lawler, share... more
Apr 19 2022 1h 1m
Chapter 1 4 mins
Cinematography appeal to THE DROPOUT
Chapter 2 3 mins
How reality can affect cinematography
Chapter 3 2 mins
The role of a pilot cinematographer
Chapter 4 8 mins
Using 200 astera tubes to light an office
Chapter 5 6 mins
How character development motivates cinematography
Chapter 6 3 mins
Why Cooke lenses are so good
Chapter 7 7 mins
Using Leica lenses to create a modern look
Chapter 8 3 mins
Shooting on stage vs. shooting on location
Chapter 9 6 mins
Using very intentional camera movement
Chapter 10 2 mins
Limited lighting options for office interiors
Chapter 11 5 mins
Using a pizza box bounce for eyelights
Chapter 12 7 mins
Cramming 5 weeks of prep for 4 episodes
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Winning Time Cinematography (with Todd Banhazl and Mihai Malaimare Jr.) GCS307
Even if you're not a basketball fan, you will fall i... more
Apr 12 2022 1h 2m
Chapter 1 3 mins
Why WINNING TIME was shot multi-format
Chapter 2 7 mins
The 1980s visual look with the Ikegami camera
Chapter 3 3 mins
Techniques to help age the footage even more in post
Chapter 4 6 mins
Why having a visual rule book was so crucial
Chapter 5 3 mins
"Aggressive" cinematography style approach
Chapter 6 4 mins
Building light structures in ceilings
Chapter 7 4 mins
Referencing 1980s advertising
Chapter 8 7 mins
How hard light affects character development
Chapter 9 3 mins
Approach to night exteriors
Chapter 10 8 mins
Techniques for filming authentic basketball games
Chapter 11 3 mins
Lighting the White Party scene
Chapter 12 5 mins
Shooting the Lodge scene
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CODA Cinematography (with Paula Huidobro) GCS306
CODA cinematographer, Paula Huidobro, discusses the... more
Apr 5 2022 48m
Chapter 1 5 mins
CODA's Oscar win and reaction to Will Smith slap
Chapter 2 6 mins
How sign language affects cinematography
Chapter 3 7 mins
Realistic approach to lighting interiors
Chapter 4 4 mins
How the Sony Venice allowed for low light cinematography
Chapter 5 3 mins
Capturing the Look of New England
Chapter 6 3 mins
Why all boat scenes were shot in the ocean
Chapter 7 5 mins
Embracing harsh sunlight for exteriors
Chapter 8 3 mins
Go-to lighting fixtures and filtration
Chapter 9 5 mins
Shooting the 1980s period comedy drama PHYSICAL
Chapter 10 3 mins
Taking a backseat approach to shooting CODA
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